比利时小天后安琪儿:成名之路

简介：

在这场酣畅淋漓的表演中，巴西喜剧演员尤里·马卡尔分享了关于家庭、种族和宗教的独到见解，并剖析了网上爆发的一场争端。

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　　1979年1月28日，时任国务院副总理的邓小平作为新中国领导人第一次正式访问美国，踏出了开放国门的第一步。
　　此次访美无疑是邓小平一生外交行程中最重要的一次出访，也是他人生中最后一次出国。时任美国总统的卡特这样说：“邓小平1979年2月访美之后，两国友谊与合作的大门终于敞 开。”有人说：邓小平访美的那九天是当代中国人“中国梦”的启航之旅！它改变了此后中国发展的进程，影响了所有国人的生活。从此，中国进入了一个新时代。
　　卡特总统在日记中论述：“邓小平受到了美国人民最热烈的欢迎。”
　　回首当年，一切的一切都寓意深刻。然而在九天访美中又发生了怎样激动人心、跌宕起伏的故事？谱写世界史大国格局从此开启，尘封三十年珍贵镜头终见天日。

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　　With breath-taking CGI, beautiful landscape footage and some of the world's most important astronomical artefacts, Ancient Skies looks at the cosmos through the eyes of our ancestors, and our changing views of the cosmos throughout history.

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20世纪70年代的“原型朋克”是一种蓬勃发展的青年亚文化，其特征是动荡的友谊和争吵。然而，正是这种特殊的“亚文化”催生了Johnny Moped乐队，这支乐队常被誉为朋克音乐的先驱。他们的前成员包括Captain Sensible和Chrissie Hynde，后者在组建大获成功的乐队The Pretenders之前曾被解雇——两次！。这股强劲和弦漩涡的中心人物是Johnny Moped本人，他是麦克风后势不可挡的“音波恐怖分子”，陷入了爱情与音乐之间忠诚的斗争。当他们破坏了一场原本可以带来唱片合约的演出时，乐队的命运最终被注定。乐队的原始成员（包括Hynde）和一些圈内人士讲述了当时混乱的叛逆精神以及他们目前的重组计划，他们的轶事记录了Johnny Moped的崛起、衰落和回归。

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　　《海底大揭秘》揭开了我们的大海里隐藏的秘密和失落的世界。这一创新系列运用突破性的技术、惊险的摄影和顶级海洋考古学家的评论，对人类文明的史诗和地球本身的深层历史提供了深刻的新见解，揭露了沉没的城市、沉船、宝藏和深海令人惊叹的自然奇观。
　　S5 E1 - The Secrets of Pompeii's Dead
　　Directed by Vicky Matthews
　　S5 E2 - Pearl Harbor
　　Directed by Wayne Derrick
　　S5 E3 - The Amber Room
　　Directed by Laura Mulholland
　　S5 E4 - Ancient Maya Resurrection
　　Directed by Dina Mufti
　　S5 E5 - The Alamo
　　Directed by Tomasz Cebula ... (as Tom Cebula)
　　S5 E6 - Narcos
　　Directed by Christopher Riley

简介：

我们正处于一场全球视角危机之中。我们忘记了万物皆有联系这一不容置疑的真理。《行星》是一记发人深省、扣人心弦的警钟，一场跨越大陆的电影之旅，探索我们的宇宙起源以及我们作为一个物种的未来。《行星》以诗意而谦卑的方式提醒我们，是时候改变我们的视角了。

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这个节目，是热量、是趋势、是让你温暖的感觉。我们关注上了热搜的社会现象，关注这个阶段你最关心的事。我们厌倦了浮皮潦草和3分钟热度，我们讲述奇观与日常生活的联结，在荒谬中挖掘普通人的情感，在热点事件中总结社会心态，关心每个具体的、真实的人。

简介：

《Vancity Raps》是一部全球独一无二、结构精妙的90分钟音乐纪录片。其新颖的叙事风格和支线剧情，交织在战略性纪录片式叙事中，使其成为所有音乐爱好者的必看之作。

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　　The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema.
　　Alexander Kluge: The Power of Feeling
　　When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster.
　　The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public.
　　The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim.
　　I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.

简介：

　　對年輕的新世代而言，二次世界大戰可能只在是學校課堂上聽老師唸經的討厭玩意，畢竟那已經是將近七十年前的歷史，我們所能接觸到的也只有一些黑白斑駁的照片與長輩閒話當年勇的回憶而已，雖然經歷過這場浩劫的那一代已經逐漸走下人生的舞台，但這場有六十一個國家與十九億人口捲入的恐怖戰爭，除了奪走七千兩百萬人的生命以及造成一萬三千八百五十億美元的經濟損失以外，留下的種種後遺症到現在還深深地影響著我們的社會。
　　有許多電影及戲劇會以二次世界大戰裡頭的事件及戰役當題材，譬如說納粹入侵蘇聯、日本偷襲珍珠港、中途島戰役，但由於詮釋的角度不同以及商業運作的考量，除了少數佳作以外，能客觀描述史實的實在是少之又少，譬如說在珍珠港這部商業片裡頭，日本人的"秘密"作戰會議是在露天廣場裡開的，而得小兒麻痺的美國總統羅斯福宣戰演說到一半還可以站起來！雖然商業片就是以賺錢為目的，但這樣輕忽及亂搞的態度實在讓人搖頭。
　　1.山雨欲來
　　2.閃擊戰
　　3.英國告急
　　4.希特勒東進
　　5.太陽旗高升
　　6.地中海與北非
　　7.力挽狂瀾
　　8.蘇聯的推進
　　9.全面登陸
　　10.東西夾攻
　　11.太平洋島嶼戰爭
　　12.歐洲的勝利 :
　　13.太平洋戰爭的勝利

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